The Role of Visual Arts in Improving the Quality of The Urban Environment Case Study: The Area around Golestan Palace

Document Type : Original Research

Authors

1 PhD student of philosophy and art; Central Tehran Branch; Islamic Azad university; Tehran; Iran

2 Associate Professor, Faculty of Arts, Tehran Branch, Islamic Azad University, Tehran, Iran.

3 Assistant Professor, Department of Philosophy of Art, Faculty of Art and Architecture, Hamadan branch, Hamadan, Iran

4 Associate Professor of Faculty of Arts, Central Tehran Branch, Tehran, Iran

Abstract
Problem: A look at the history of the presence of art in public spaces shows that with the change of the paradigm of public art from artist-oriented art to the creation of society-oriented art and audience-oriented art, the choice of the type of public art and the environmental qualities affected by it appear more important. What threatens urban spaces today is the weak connection between the building components of a place, which cannot meet the needs of citizens.

Target: The current research aims to investigate the effect of visual art on environmental quality and tries to create the necessary environmental quality in the design of future urban spaces by experts.

Method: This research is developmental-applied in terms of type, and in terms of method, it has a nest-to-nest combination. To answer the research question, the qualitative research method is used in a nest-by-nest quantity. The statistical population is divided into two quantitative and qualitative parts. In the qualitative group of the statistical population, there were 14 experts who were selected by the snowball method. In the statistical population of quantitative research, the sample size is 180 people based on Cochran's formula and random sampling.

Result: The analysis of the results indicates that according to the results of multivariate regression, the component of visual richness with the value of (1.000) has the highest factor contribution, in the second order, the component of enjoying the environment with the value of (0.920) And the lowest is related to the component of improving the individual sense of belonging with the value (0.244). The special attention of urban designers regarding the structure of spaces and the use of extraction measures from the impact of visual arts components in urban spaces in different scales can increase the quality of urban environments.

Keywords

Subjects


[1] Afzali, K. (2012). Explanation of Iranian-Islamic models in teaching the basics of visual arts. Master's Thesis of Islamic Art, Faculty of Art and Architecture, Tarbiat Modares University.
[2] Ayati, H. (2001). Art history. Tehran, Al-Mahdi International Publications.
[3] Cartiere, C. & Zebracki, M. (2016). The Everyday Practice of Public Art: Art, Space, & Social Inclusion. London & New York: Routledge.
[4] Collins English Dictionary, Complete and Unabridged (2003). Harper Collins Publishers.
[5] Doss, E. (2006). Public Art Controversy: Cultural Expression and Civic Debate. Monograph, Americans for the Arts. United States, October 2006.
[6] Falahin Jasmi, M., Nik Mohamad, N. H. (2015). Role of Public Art in Malaysian Urban Landscape towards Improving Quality of Life: Between aesthetic and functional value, Elsevire, AicOoL2015Jakarta, Indonesia. AMERn International Conference on Quality of Life The Akmani
[7] Goodsell, C. T. (2003). The Concept of Public Space and Its Democratic Manifestations. The American Review of Public Administration, 33(4), 361–383
[8] Hadi Payan, M., Azizian, S. (2023). Investigating the effect of organizing "visual axes" on improving the "environmental quality" of urban public spaces (case example: Qiyam Street, Yazd), the 6th International Conference on Civil Engineering, Architecture and Environment – Stockholm.
[9] Hafez Nia, M. R. (2009). An introduction to research methods in humanities. Organization for Studying and Compiling Humanities Books of Universities (Samt), Humanities Research and Development Center, Tehran: 17th edition.
[10] Jamilian, Sh. (2012). Anthropological analysis of motifs in the Golestan palace complex. Master's thesis, Islamic Azad University of Tehran, Center.
[11] Jensen, Ch. (2004). Analysis of works of visual arts. Translated by Bati Avakian, Tehran: Organization for Studying and Compiling Humanities Books of Universities.
[12] Kafshchian Moghadam, A., Amouiyan, F. (2017). The interaction of urban visual arts with the audience: a case study: annual urban arts of Baharistan, Tehran, 2015, Pikereh, 13, 51-72.
[13] Kashi, M. J. Gh. (2006), Democracy and Urban Space, Ayin journal, 5, 8-11.
[14] Knight, Ch. K. (2008). Public Art: Theory, Practice and Populism. Massachusetts & Oxford: Wiley-Blackwell.
[15] Kuznetsov, S., Paulos, E., & Gross, M.D. (2010). Wall Bots: interactive wall crawling robots in the hands of public artists and political activists. In: Proceedings of DIS10 Designing Interactive Systems 2010. Part of the DIS - Designing Interactive Systems conference series.
[16] Landi, P. J. (2012). Public Art - Purpose and Benefits: Exploring strategy in the New England.
[17] Lotfi, S. (2009). The concept of quality of urban life: its definitions, dimensions and measurement in urban planning, scientific-research quarterly of human geography, 1(4), 65-80.
[18] Mahasen Niari, M., Melabi, Q., Fanadi, N. (2012). Improving the quality of historical urban spaces with an emphasis on visual dimensions (a case study of Ali Qapu Square, Ardabil) First National Conference on Architecture, Restoration, Urban Development and Sustainable Environment, 1-17.
[19] Matlock, J. (2000). Familiarity with environment and landscape design, translated by the Deputy of Education and Culture of Tehran Parks and Green Spaces Organization. First Edition.
[20] McAndrew, F. T. (2012). Environmental psychology. Translated by Gholamreza Mahmoudi, second edition, published by Vania.
[21] Mitchell, D. (2003). The Right to the City: Social Justice and the Fight for Public Space. New York: The Guilford Press.
[22] Mitchell, Don. (2010). The End of Public Space? People's Park, Definitions of the Public, and Democracy, Annals of the Association of American Geographers, Volume 85
[23] Moradi, S. (2007). General art and its combination with urban space, Bagh-e Nazar, 8, 90-81.
[24] Mortazavi, S. (2001). Environmental psychology and its application. Tehran: Shahid Beheshti University Press.
[25] Motalebi, Q. (2010). Environmental psychology is a new knowledge in the service of architecture and urban design. Journal of Fine Arts, No. 1-16.
[26] Muller, D.A. (2019). article entitled Voices in the City, the Role of Arts, Artists and Urban Space for a Fair City, Procedia - Social and Behavioral Sciences, 222(23), 22-58
[27] Muzaffar, F., Hosseini, M., Khodadadi, R. (2015). Measuring the impact of "public arts" in beautifying and improving the visual quality of the urban landscape; A case study of murals in Tehran, Visual and Applied Arts Journal, 9(18), 61-79.
[28] Naghi Zadeh, M. (2006). Perceiving the beauty and identity of the city. Isfahan: Publications of Isfahan Municipal Culture and Entertainment Organization.
[29] Ozsoy, A., Bayram, B. (2007). The role of public art for improving the quality of public places in the residential environment. Paper presented at ENHR International Conference: Sustainable Urban Areas, Rotterdam, The Netherlands.
[30] Pollock, V.L., Sharp, J. (2012). Real Participation or the tyranny of participatory Practice? Public art and community involvement in the regeneration of the Raploch, Scotland,
[31] Pour Ahmad, A., Habibi, K., Keshavarz, M. (2010). The evolution of the concept of urban regeneration as a new approach in urban worn-out textures, Iranian Cities Quarterly.
[32] Purcell M. (2016). For democracy: planning and publics without the state. Planning Theory, Vol. 15, No. 4, 386-401.
[33] Radisic, S. (2010). Public Art Policies – A Comparative. 6th International Conference on Cultural Policy Research, Jyväskylä, Finland.
[34] Rafiyan, M., Khodayi, Z. (2009). Investigating indicators and criteria affecting citizens' satisfaction with urban public spaces, Strategy, 18(53), 227-248.
[35] Rahimi Bafarani, H. (2015). The expressive value of painting art in environmental design, supervisor: Morteza Afshari, Ministry of Science, Research and Technology, Shahid University, master's thesis in the field of painting.
[36] Remesar, A. (2005). Urban Regeneration a Challenge for Public Art. University of Barcelona: Department of Psychology-social.
[37] Rostami, M., Sarvi Zargar, R., Eini H. (2017) Explaining and evaluating the components of public art (Case study: Lampini Park and Il Goli, Bagh Nazar, 14(49), 53-64.
[38] Runco, Mark A., & Albert, Robert S. (2010). Creativity Research. In James C. Kaufman and Robert J. Sternberg. The Cambridge Handbook of Creativity. Cambridge University Press.
[39] Samaniyan, S. (2012). Investigation of the pictorial themes of the relief tiles in the main hall of Golestan Palace. Journal of Fine Arts, 19(1), 59-72.
[40] Sanoff, H. (2010). Democratic design: participation case studies in urban and small town environments, Saarbrucken, Germany: Verlag-Muller.
[41] Senie H. F., Webster, S. (1998). Critical issues in Public Art: Content, Context, and Controversy. Washington: Smithsonian Books.
[42] Setiawan, N. (2010). Extending the concept of value chain governance: An institutional perspective; comparative case studies from dairy value chains in Indonesia. Master Thesis university of Berlin.
[43] Shahabian, P., Haghighi, R. (2004). Analysis of the role of public arts in the success of the urban space of Naghsh Jahan Square in Isfahan. City Identity, 8 (19), 89-100.
[44] Shannon, L. E. (2013). Monuments to the New Woman: Public Art & Female Image Building in America, 1876-1940 (PhD thesis). University of lowa. Retrieved from http://ir.uiowa.edu/etd/1749
[45] Shimomura, T., & Tadashi, M. (2010). Policies to Enhance the Physical Urban Environment for Competitiveness: A New Partnership between Public and Private sectors. OECD Regional Development Working Papers, 2010/1, OECD Publishing, OECD.
[46] Spayde, J. (2012). Public Art and Placemaking. Public Art Review. Fall/Winter 2012
[47] Trifonova, T. (2007). The Image in French Philosophy. Rodopy, NY.
[48] Vahdat, S., Sajjadzadeh, H. (2015). Investigating and evaluating the role of urban art in increasing the attendance rate of public spaces with an emphasis on urban graphics (case example: Hamadan People's Park), Art Research, 6(11), 25-38.
[49] Webster's College Dictionary, (2010). Random House Kernerman K Dictionaries Ltd.
[50] Zajaji, N., Talebpour, F., Rafiyan, M. (2018).The new style of public art as a tool for the development of collective creativity, Theoretical Foundations of Visual Arts, 4(2), 65-74.