Volume 5, Issue 1 (2024)
2024, 5(1): 71-87 |
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Rezaie M, Soheili J, Armaghan M. Spatial reading of Iranian melodrama cinema by evaluating the components of the sense of place
(Case example: Mother movie. Urban Design Discourse a Review of Contemporary Litreatures and Theories 2024; 5 (1) :71-87
URL: http://udd.modares.ac.ir/article-40-73868-en.html
URL: http://udd.modares.ac.ir/article-40-73868-en.html
1- PhD researcher, Department of Architecture, Faculty of Architecture and Urban Planning,Qazvin Branch, Islamic Azad Universiy, Qazvin, Iran. , arch.maryam.rezaie@gmail.com
2- Associate Professor, Department of Architecture, Faculty of Architecture and Urban Planning, Qazvin Branch, Islamic Azad University, Qazvin, Iran.
3- Assistant Professor, Department of Architecture, Faculty of Architecture and Urban Planning, Qazvin Branch, Islamic Azad University, Qazvin, Iran.
2- Associate Professor, Department of Architecture, Faculty of Architecture and Urban Planning, Qazvin Branch, Islamic Azad University, Qazvin, Iran.
3- Assistant Professor, Department of Architecture, Faculty of Architecture and Urban Planning, Qazvin Branch, Islamic Azad University, Qazvin, Iran.
Abstract: (573 Views)
Problem: Architecture and cinema are a collection of art and technology that are intertwined with the help of the capable hands of an architect and a filmmaker. The two can act similarly in infusing the spirit of life into space and evoking human feelings. Among these, urban spaces and architectural buildings are very important as the location of a film event and represent the temporal, cultural, historical, social and are in the movie. So that paying attention to the category of architecture in cinema in a serious and conscious way is an idea that can be considered by directors and filmmakers. This article explores this relationship in the movie Mother, made by Ali Hatami.
Target: In this research, first to interpret the architectural space and place, Kanter's views on the sense of place are considered, then the features of melodrama style in cinema and its features are discussed and then the architectural concepts and features of place in The scene design of Hatami's film "Mother" is studied in terms of activity, body and meaning. The counter recognizes three components for each location: Physical characteristics, activities & Imaginations.
Method: To understand this issue, try to use the historical-interpretive method to communicate the spatial-local dialectical process, which requires the analysis and description of the components resulting from the changes identified in this research. Finally, through deductive-inductive reasoning, it has been tried to identify the output components of the tool used in this research.
Result: For this purpose, it was tried to explain the temporal process of the sequences taken from the film Mother in relation to the spatial coexistence or the progress and delay of the moving space of the scene from a sense of feeling. Eclectic view of space? By linking human relations with place in melodrama cinema, he identified a kind of space-place dialectic that can be affirmed and achieved in key words: spatial diachronic and synchronic.
Target: In this research, first to interpret the architectural space and place, Kanter's views on the sense of place are considered, then the features of melodrama style in cinema and its features are discussed and then the architectural concepts and features of place in The scene design of Hatami's film "Mother" is studied in terms of activity, body and meaning. The counter recognizes three components for each location: Physical characteristics, activities & Imaginations.
Method: To understand this issue, try to use the historical-interpretive method to communicate the spatial-local dialectical process, which requires the analysis and description of the components resulting from the changes identified in this research. Finally, through deductive-inductive reasoning, it has been tried to identify the output components of the tool used in this research.
Result: For this purpose, it was tried to explain the temporal process of the sequences taken from the film Mother in relation to the spatial coexistence or the progress and delay of the moving space of the scene from a sense of feeling. Eclectic view of space? By linking human relations with place in melodrama cinema, he identified a kind of space-place dialectic that can be affirmed and achieved in key words: spatial diachronic and synchronic.
Article Type: Original Research |
Subject:
Culture and Identity in the City
Received: 2024/02/15 | Accepted: 2024/05/11 | Published: 2024/05/30
Received: 2024/02/15 | Accepted: 2024/05/11 | Published: 2024/05/30
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